A rain-slicked South End side street at midnight, photographic realism. The main subject is a lone, vintage black sedan parked tight against a crumbling brick rowhouse, its chrome bumper and rounded fenders gleaming with scattered raindrops. Neon from an unseen bar sign bleeds crimson and sickly green across wet asphalt, reflecting in warped puddles along the cracked curb. Deep shadows swallow recessed doorways and rusted fire escapes, while a single streetlamp casts a harsh cone of light that dies before reaching the alley mouth. Shot at eye level with a long lens, the foreground glistens in sharp focus while distant storefronts dissolve into moody bokeh. The atmosphere is heavy, tense, and cinematic, hinting at secrets traded in the dark corners of this neighborhood.

Franklin Fierce

Enjoy the chapters of Seattle’s toughest bounty hunter. A take no shit bad ass brother who fights hard and loves harder. Read his first chapter, here.

Stories

Stand-Alone Nights in Ink

Each story ends where it hurts, no cliffhangers. Start with ‘Broken Glass,’ ‘Gravel Rain,’ and ‘Last Call’.

A South End corner storefront on a stormy evening, captured in moody photographic realism. The subject is a small, old-fashioned shop with a recessed entry, its painted wooden door slightly open, revealing a slice of dim interior light. The display window is cluttered with dusty objects and a lone oscillating fan, their silhouettes barely visible behind streaked glass. Outside, heavy rain pelts the awning and bounces off the cracked sidewalk, turning the street into a reflective sheet where distorted neon from a nearby bar sign shimmers. A sagging streetlight overhead throws a pale cone of light that fades into the encroaching gloom of intersecting alleys. Shot from across the street at a three-quarter angle, the scene feels like a threshold between ordinary life and the neighborhood’s darker undercurrent.